Associations & Organizations
The American Society of Cinematographers was founded in Hollywood in 1919 with the purpose of advancing the art and science of cinematography and bringing cinematographers together to exchange ideas, discuss techniques and promote the motion picture as an art form — a mission that continues today.
Industry Publications
American Cinematographer is a magazine[1][2][3] published monthly by the American Society of Cinematographers. It focuses on the art and craft of cinematography, covering domestic and foreign feature productions, television productions, short films, music videos and commercials.
The emphasis is on interviews with cinematographers, but directors and other filmmakers are often featured as well. Articles include technical how-to pieces, discussions of tools and technologies that affect cinematography, and historical features.
Cinematography World celebrates the people and organisations making moving images. Supporting, inspiring and empowering visual storytelling.
- by Kirsty HazlewoodEveryone knows to get perfect chroma key it is necessary to produce even lighting on the background without shadows from the subject you are filming. The easiest way to avoid shadows from subject to background is to move the subject away from the background, therefore providing separation. This is fine if you have space for […] The post dedolight Asymmetric Background Light: perfectly even shadowless chroma key appeared first on Cinematography World.
- by Kirsty HazlewoodKinefinity has officially launched the Eagle HDMI e-Viewfinder. Following the release of the Eagle SDI e-Viewfinder in July 2024, Kinefinity introduces the Eagle HDMI version, further expanding its product lineup in the electronic viewfinder category to meet the needs of a wider range of users. The Eagle HDMI e-Viewfinder is compatible with most professional cinema […] The post Kinefinity launches the new Kinefinity Eagle HDMI e-Viewfinder appeared first on Cinematography World.
- by Kirsty HazlewoodThe Brutalist (DP Lol Crawley BSC) and Emilia Perez (DP Paul Guilhaume AFC) took the top movie prizes at the 82nd annual Golden Globe Awards, emerging as the only two films to garner multiple wins on a night that saw a mix of newcomers and familiar faces walk away with hardware at the venerable ceremony. […] The post ‘The Brutalist’ and ‘Emilia Perez’ emerge with top Golden Globes prizes appeared first on Cinematography World.
- by Kirsty HazlewoodFilm Awards voting takes place over three rounds: Longlisting, Nominations and Winners Longlisted titles and performers announced will progress to Round Two of Voting which opens Friday 3rd January 2025 Nominations will be announced on Wednesday 15th January 2025 12pm GMT by 2024 EE Rising Star winner Mia-McKenna Bruce and BAFTA-winner Will Sharpe David Tennant […] The post BAFTA longlists announced appeared first on Cinematography World.
- by Kirsty HazlewoodIt is with deepest sadness that BSC has announced the passing of Roger Pratt BSC Born in Leicester in 1947, Roger’s father was an Anglican vicar, himself a type of showman. Every year he brought a 16mm projector into the church to show ‘Fact and Faith’ Christian films produced by the Moody Institute of Science […] The post Rest in peace Roger Pratt BSC appeared first on Cinematography World.
- by Kirsty HazlewoodUK Screen Alliance and Animation UK are delighted to congratulate its CEO Neil Hatton on being awarded an MBE in the King’s New Year Honours list. The New Year Honours List 2025 recognises selfless service to others from individuals across the UK. It was announced on 30 December that Neil Hatton was awarded an MBE […] The post Neil Hatton, CEO of UK Screen Alliance, awarded an MBE in New Year Honours appeared first on Cinematography World.
- by Kirsty HazlewoodBy Iain Blair While many creatives here in Hollywood are still dealing with the ongoing fallout from the strikes and COVID, for the most part the nuts-and-bolts side of production has been ramping up their operations in anticipation of a busy 2025 and a brighter future. Case in point? The new 300,000-square-foot Sylmar Studios opens […] The post Our Man in LA appeared first on Cinematography World.
- by Kirsty HazlewoodThe Society of Camera Operators is thrilled to share the images to be included in Capturing the Spirit: Evocative Moments on Screen The Exhibition will be on view during its 2025 Lifetime Achievement Awards Weekend from February 14 – 15, 2025 at Loews Hollywood Hotel. 12 extraordinary works are included by: Phillip V. Caruso Murray Close […] The post SOC releases still photography exhibition & silent auction works appeared first on Cinematography World.
- by Kirsty HazlewoodThis Christmas, there are two new Bristol-made TV drama treats in store to suit viewers of all ages; The Famous Five: Mystery at The Prospect Hotel, launching on CBBC and BBC iPlayer on 23rd December; and rom-com The Road Trip, streaming on Paramount+ from Boxing Day. Mystery at The Prospect Hotel is the first of […] The post Help The Famous Five solve a new mystery or take a Road Trip to Spain appeared first on Cinematography World.
- by Kirsty HazlewoodThe third episode of the new ScreenSkills podcast is now live! Listen below or subscribe on Spotify, Apple Podcasts or wherever you get your podcasts. LISTEN HERE The post Listen to episode three of the ScreenSkills podcast appeared first on Cinematography World.
Filmmaker is a quarterly publication magazine covering issues relating to independent film. The magazine was founded in 1992 by Karol Martesko-Fenster, Scott Macaulay and Holly Willis. The magazine is now published by the IFP, which acts in the independent film community.
- by Peter RinaldiThe U.S. premiere of Hard Truths at the New York Film Festival in October brings director Mike Leigh back to the podcast for the third time (Ep. 54 and Ep. 204). He talks about working again with Marianne Jean-Baptiste after nearly 30 years, how a lower budget didn’t change his process but made him “dig vertically,” why American actors are unofficially not allowed in his films. Plus he shares his hope for cinema after he’s gone, but explains why he refuses to officially pass down his process. And much more! Hard Truths opens in select U.S. theaters on Friday January […]
- by Scott MacaulayJosh Welsh, Film Independent’s President, died December 31, 2024 at home following a five-year battle with colon cancer. He was 62. Welsh began his association with the non-profit nearly 30 years ago, volunteering at its annual Spirit Awards in 1996 while working in L.A. as an actor. After joining the staff, Welsh worked his way up through various positions: Filmmaker Labs Coordinator, Filmmaker Labs Manager and Director of Talent Development. In the latter position, he oversaw and helped create all the organization’s talent development programs, including the Labs, Project:Involve and the Fast Track Film Financing Market. He also administered Film […]
- by David LeitnerInnovation in cameras, lenses, lighting, batteries, and more pressed onward in 2024, despite production doldrums and pain points across the industry. These advances arrive at a time when all the world walks around with a capable 4K video camera in their pockets, when a youngest generation pivots to vertical videos from social media. While the future of the film business as we knew it may seem cloudy, the steadily rising quality and capability of low-cost gear does continue to lift all boats. Below are brief notes on some of the tech standouts of 2024. Let’s hope that ginned-up xenophobia—manufactured panics […]
- by Peter RinaldiTiffany Boone’s breakout role was Jerrika Little on the series The Chi. Little Fires Everywhere, The Midnight Sky, Nine Perfect Strangers, and Hunters followed. Now she voices Sarabi in Disney’s Mufasa: The Lion King. She explains how getting back to her childlike imagination was a must for that role. She tells the story of trying to break up with acting but acting wouldn’t break up with her. She talks about the importance of knowing the character better than anyone else, how focusing on connecting with people through her art allowed her to “let go of the desperation,” and much more. […]
- by Daniel EaganThe five years between Bob Dylan’s arrival in New York and his performance at the 1965 Newport Folk Festival marked a huge shift in popular culture. It wasn’t just the songs Dylan wrote and performed. The politics he espoused, relationships he formed, causes he endorsed, even the clothes he wore were critiqued and copied by a growing number of acolytes and fans. Dylan helped shape the culture in ways few other artists could match. Based in part on Elijah Wald’s book Dylan Goes Electric!, director James Mangold’s A Complete Unknown follows Dylan as he finds and develops a voice and […]
- by Peter RinaldiTommy Dewey is best known for playing Alex Cole on the Hulu series Casual for five seasons. This year, two movies benefit from his talents—the Jason Reitman ensemble comedy Saturday Night, and Caroline Lindy’s romantic/horror/comedy Your Monster, where he brilliantly plays the titular character. On this episode, he talks about what went into deciding on the proper mixture of absurdity and tenderness for that special role. He explains why, if a comedy script connects with him, he “maybe reads it once and stay the hell away from it.” Plus how writing can help you as an actor, the increased pressure […]
- by Tyler CoatesEvery Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. It’s my last dispatch of the year—I’ll be back with another newsletter the first full week of January—as the Oscar campaigning unofficially pauses for the holidays. The last major awards event of the year will take place on Dec. 17, when the Academy announces the shortlists for 10 categories: documentary feature, international feature, animated short, documentary short, live-action short, original score, original song, makeup/hairstyling, sound and visual effects. Then, the Golden Globes on Jan. 5 […]
- by Daniel EaganWhen she competed in the 2012 Summer Olympics, Claressa Shields became the first American woman to win a gold medal in boxing. It was the culmination of a lifelong struggle to make her way as a fighter. Growing up on the edge of poverty in Flint, Michigan, Shields trained with coach Jason Crutchfield in a long-term collaboration. Nicknamed “T-Rex” for her short arm span, she was the subject of the 2015 documentary T-Rex: Her Fight for Gold. In 2019, Oscar-nominated cinematographer Rachel Morrison chose a project about Shields for her feature directing debut. Working from a script by Barry Jenkins, […]
- by Pedro Emilio Segura BernalAs the year draws to a close, the urge to compile “best of the year” lists feels both inevitable and deeply complicated. In a world grappling with profound crises—most notably the genocide in Palestine and ever-deepening fractures in democratic institutions globally—such an exercise risks seeming trivial, detached from the urgent realities shaping our collective experience. Yet cinema at its best has always offered a lens to confront, process and perhaps even find meaning in the chaos. This list emerges not as an escape but as a form of engagement, a way to reflect on the artistic vitality that endures and […]
- by Matt MulcaheyMovies are a uniquely collaborative art form. A painting, a novel or a song can be created in solitude, but you can’t make a commercial narrative film by yourself. That said, the original Terrifier came about as close as you can get: Writer-director Damien Leone is also credited for producing, editing, special make-up effects, visual effects, sound design and props. In addition to putting up money, producer Phil Falcone served as UPM, AD and stunt driver and also assisted with the effects. As for cinematographer George Steuber, he was the entirety of the camera department. He operated, pulled his own […]
- by Vadim RizovThis year was a peak travel year for me, mostly festival-enabled, and I was pleased by the number of good films I was privileged to see along the way that I wouldn’t have otherwise. While the globalization of film via the internet has improved access all round, it’s a mistake to think that everything good winds up somewhere legally accessible, even if only as an obscure VOD option. Some films remain unaccounted for, which is both unfortunate and a reminder of how many good films there remain to see. Here are ten of the year’s best, with links to their longer […]
- by Peter RinaldiAlessandro Nivola returns to the podcast (Ep. 37 and Ep.170) to discuss three performances he gives in three different films out at the same time this week—Pedro Almodóvar’s The Room Next Door, The Brutalist, and Kraven The Hunter. He gifts us with a detailed peek into what it took to build each of these characters. He talks about the interesting way he received a “green light” from Almodóvar in terms of his approach to the role of an Upstate New York policeman, the challenge of balancing adherence to period authenticity with a modern accessibly as Attila in Brady Corbet’s epic, […]
- by Tyler Thomas TaorminaAt the end of each year comes the excitement of listing my favorite released films. This is a moment where I like to reflect on the status of modern cinema. When great films populate my list, ones that make my heart pound, I become alit with hope. Great is the desire to believe in the work being made today, especially as the gems of today’s moviemaking are often found on the deeper pages of Letterboxd.com’s most popular movies. In the 1950s, for example, the most critically lauded films are ranked at the top of page #1, sorted by the most popular […]
- by Hugo EmmerzaelJust as its characters shift roles in their erotic game of cat and mouse, Halina Reijn’s third feature Babygirl fluently shifts between erotic thriller, existential melodrama and corporate satire. At the center is Nicole Kidman role as Romy, a successful CEO of a high-powered New York-based e-commerce company who relinquishes her sense of control when a chance encounter with a new company intern (Harris Dickinson) plunges Romy into the erotic chaos of a BDSM-charged relationship. Babygirl carefully traces how the seismic shifts of this newfound dom-sub dynamic open up an emotional rift in Romy, resulting in an explosive and messy […]
- by Alex LeiIn late October, A24 dropped a teaser for their highly anticipated The Brutalist, where glimpses of Brady Corbet’s epic flash by as credits and review pullquotes horizontally crawl across the screen like the VistaVision-format celluloid that ran through the camera to capture the picture. It’s a sharp piece of trailer design that formally evokes the experience of the film as much as it serves as a piece of marketing. The design of the scroll also summons the Bauhaus stylings that inspire the architecture of The Brutalist’s subject, László Tóth (Adrien Brody), highlighting the words on screen around evocations of the […]
- by Flavia DimaIt’s been a busy year for Kamal Aljafari. One of the most innovative voices working in contemporary found footage cinema, the Palestinian filmmaker’s latest feature, A Fidai Film (which premiered this past spring at Visions du Reel in Nyon, Switzerland, where it won the Jury Award of the Burning Lights section) has propelled him to a wholly new level of fame – and deservedly so. Often traveling alongside his latest short film, UNDR (which premiered at IFFR), A Fidai Film has been screened in almost three dozen festivals, while Aljafari has been the subject of two major retrospectives at Anthology […]
- by Amalia UlmanIn the first of a series on filmmakers and their relationship to the animal world, artist, director, writer and actress Amalia Ulman visits with actress, director (of the short film series Green Porno, among others), model and animal behaviorist Isabella Rossellini at her regenerative farm, Mama Farm. Rossellini can currently be seen on screen in Edward Berger’s Conclave playing Vatican nun Sister Agnes, while El Planeta director Ulman’s newest film is Magic Farm, premiering at the 2025 Sundance Film Festival. Photographs by Amalia Ulman. On October 2, I visited Isabella Rossellini’s farm with Gabriella. We took the train from Penn […]
- by Anthony KaufmanIn September, Variety declared, “Indie Films Are Staging a Box Office Comeback,” touting the success of the films Longlegs, Thelma and Late Night with the Devil as signs of life for a segment of the industry “crushed by COVID, strikes and streaming,” as reporter Brent Lang wrote. “And while it’s a long way from the arthouse heyday of the 1990s and early aughts, the turnaround is impressive.” Maybe not that impressive. Citing the more than $100 million global gross of Longlegs, a NEON-produced wide-release serial-killer movie, as some kind of indie darling misses the point. Thelma and Late Night are […]
- by David SchwartzEntering to a standing ovation at a Friday-night screening of Mikey and Nicky at New York’s Metrograph on December 6, Elaine May looked out at the full house. “I was told this entire audience is made up of editors,” she said. And then, mock-anticipating their first question, she declared “Steenbeck,” name-checking the flatbed editing table on which her 1976 film was cut. The event was organized by the American Cinema Editors as part of their ongoing Filmcraft series at the Lower East Side Theater, and May was accompanied onstage by two editors; series moderator Phillip Schopper, and Jeffrey Wolf, who […]
- by Tyler CoatesEvery Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. We’re now five weeks away from the Jan. 17 Oscar noms, and the last few days have seen which campaigns are working—at least with critics and whoever is voting for the Golden Globes these days. And miraculously, no main frontrunner has emerged in the best picture race, although the sure things are making themselves known. Over the last week, while publications began rolling out their year-end lists, critics in New York and Los Angeles voted […]
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