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Global Media and China

Global Media and China is a peer-reviewed, open access journal, which provides a dedicated, interdisciplinary forum for research. The journal welcomes articles on all aspects of international research in the field of communication and media studies and has a particular interest in how global media are impacting on, and are in turn being transformed by China, specifically Chinese institutions, industries and audiences. Research on digital platforms, social media and related policy is welcome. Please see the Aims and Scopes tab for further information.

This journal is the official journal of the Communication University of China.

This journal is a member of the Committee on Publication Ethics (COPE).

Why publish in Global Media and China?

  • A dedicated, interdisciplinary forum for international research on communication and media with a focus on China
  • Rigorous peer review of your scholarly work
  • Rapid online publication

Open access article processing charge (APC) information

This journal is financially supported by the Communication University of China and therefore does not charge an article processing charge for open access publication.

Submission information

Submit your manuscript today at http://mc.manuscriptcentral.com/gmac

Please see the Submission Guidelines tab for more information on how to submit your article to the journal.

Contact

Please direct any queries to cuc_gmc@126.com

  • by Yuan Liang
    Global Media and China, Ahead of Print.
  • by Mayara Araujo
    Global Media and China, Ahead of Print. For decades, the geopolitical domination of the United States remained almost unquestioned. However, other countries have emerged as poles of influence in recent years, including China and Brazil. Despite this, cultural and media interaction between the two countries is still limited and often mediated by the United States. This paper explores the algorithmic representation of China by the video streaming platform Netflix and argues that the company acts imperialistically by seeking to establish monopolistic control of the global Internet television market and promoting biases that we call ‘algorithmic orientalism’. By presenting China to […]
  • by Junyi Ji
    Global Media and China, Ahead of Print.
  • by Tracy Ying Zhang
    Global Media and China, Ahead of Print. This special issue features five articles written by a group of established and emerging researchers, who carefully examined the challenges and opportunities for women's participation in media production across platforms and nations. Overall, the case studies in this special issue extend and broaden current conversations about gendered media-making practices by emphasizing an intersectional, transnational, and critical feminist perspective on identity, subjectivity, embodiment, and labour. Further, these studies highlight both structural barriers that women face in the global media industries as well as emergent resistant and interventionist tactics. Taken together, they demonstrate the value of […]
  • by Lei Xi
    Global Media and China, Ahead of Print. This paper argues that elemental media studies, which emphasize the entanglements between humans and non-humans, can offer new avenues for addressing the challenges faced by post-humanist heritage studies. Due to the importance of tourism for heritage revitalization, this paper examines the limitations of the local tourism industry’s understanding of the water element in the context of the tourism plan of the Sangyuanwei Polder Embankment System, particularly the neglect of the destructiveness of water. It also investigates human-water interactions in the history of SPES through elemental analysis, examining how water as a medium of […]
  • by Christine H Tran
    Global Media and China, Ahead of Print. Precarious careers in the games industry have long relied on the unpaid and largely feminized support of spouses and family members. This paper addresses the role of spouses and other domestic cohabitants in the production of live game broadcasts on Twitch, Amazon’s world-leading platform in live video entertainment. I introduce the heuristic of the ‘Twitch Spouse’ to underscore the crucial role that domestic partners have played as invisible workers in the wider games industry, whose precarious conditions have been extended by the rise of at-home livestreaming. Drawing from ‘playful’ interviews and ethnographic observation […]
  • by Leanne Chang
    Global Media and China, Ahead of Print. The rise of platforms since the Millennium has drastically reshaped human activities worldwide and transformed our physical world into what is known as platform societies, wherein social and economic interactions are profoundly mediated and defined by the digital infrastructure of platforms. The immense integration of platforms into daily human life prompts inquiry into their capacity to foster social good. This Special Issue presents a compilation of articles that scrutinize the intricate relationship between platforms and their potential to promote social good in the contexts of mainland China and Hong Kong. In both settings, […]
  • by Renyi He
    Global Media and China, Ahead of Print. The Olympic Games are often framed by the U.S. media as political events, with the media’s preference for democratic political systems, while global health crises are often framed in a similar way, demonstrating shared concerns about human interests. When the Olympics occur during a global health crisis, a tension emerges between the ideological framing of the Olympics and the shared concern for human interests in media coverage. By analyzing New York Times coverage of the Tokyo 2020 Summer Olympics and the Beijing 2022 Winter Olympics, this study aims to show how ideological preferences […]
  • by Leanne Chang
    Global Media and China, Ahead of Print. The literature has explored age differences in health information seeking during the COVID-19 pandemic. However, there is a noticeable gap in research regarding generational variations in the underlying factors of health information scanning and sharing, as well as generational differences in the interplay of health information seeking, scanning, and sharing. This study examined: (1) differences in risk- and channel-related motivators of online health information seeking, online health information scanning, and COVID-19 information sharing among three generational cohorts: Baby Boomers, Generation X, and Millennials; and (2) generational differences in the relationship between information seeking, […]
  • by Fairuzah Munaaya Atchulo
    Global Media and China, Volume 9, Issue 1, Page 126-130, March 2024.
  • by Ruoxi Liu
    Global Media and China, Ahead of Print. Drawing from seven months of fieldwork among independent artists and their communities in Guangzhou, China, in 2020–2021, this paper investigates the feminist alternative practices in response to the experiences of gender marginalisation of independent artists. Along with being sexualised and discouraged by some of their art colleagues and the public, there has been an emergence of alternative practices among female independent artists in Guangzhou, including alternative art production, space cultivation, and community development. Alternative art practices have not only diversified the expression and representation of female artists; they have also helped female and […]
  • by Weikun Fan
    Global Media and China, Ahead of Print. This paper sets out to study how creative documentary practices deconstruct traumatic memory, and then digitalise witnessing and engagement afforded by digital technology in the award-winning online interactive documentary The Space We Hold. Premised on culture memory studies and documentary studies, the social function of the documentary in reshaping narratives and forging public engagement has been discussed in this research. Interactive documentary becomes the unique visual artistic medium that allows the wider public to bear witness and emotionally experience the meaning of a traumatic past. This interactive project is reviewed as one site […]
  • by Ling Tung Tsang
    Global Media and China, Volume 9, Issue 1, Page 3-10, March 2024. To not only celebrate the launch of this double special issue, but also to shine a spotlight on the variety of China as Method epistemological approaches shared by the special issue’s editors and authors, the Chinese University of Hong Kong’s Hong Kong Institute of Asia Pacific Studies, the University of Amsterdam’s Media Studies Department, and Global Media and China, co-organised a hybrid symposium to generate intellectual exchanges on such a de-westernising mode of knowledge production. While the research articles in this double special issue extensively examine ‘distinct’ characteristics […]
  • by Xinyuan Zhou
    Global Media and China, Ahead of Print. This study assessed Human papillomavirus (HPV) vaccination knowledge, willingness, and status among University of Nottingham Ningbo undergraduate students, utilizing the Theory of Planned Behaviour (TPB) and Health Belief Model (HBM). Self-administered questionnaires covered demographics, sexual behavior, and factors influencing vaccination intentions. Quantitative and qualitative analyses included t-tests, ANOVA, Pearson correlation, logistic regression, and linear regression. Of 373 surveyed students, the HPV vaccination rate was notably higher than in previous studies (45.84%). While participants demonstrated good HPV knowledge, male students were less aware. Intentions to vaccinate were high, influenced by gender, profession, parental education, […]
  • by Dennis Nguyen
    Global Media and China, Ahead of Print. This study explores how African news media frame China’s role in digital technology. China’s engagement in Africa is portrayed as an ambiguous trend by Western media, which point to risks of Chinese influence. Themes of exploitation and support for autocratic regimes are common in media narratives about Chinese-African collaborations. Yet claims that China pursues a neo-colonial project in Africa seem exaggerated. While Chinese geopolitical ambitions drive its foreign policy decisions, African actors often appear absent from these discussions. African perceptions and assessments of China are nuanced, indicating a complex relationship. They point to […]
  • by Zhijuan Chen
    Global Media and China, Ahead of Print. This study explores the development of Chinese feminist media by presenting a case study of a leading feminist media account, Way to Non-Violence (WTNV) (Jieshu baoli zhi lu). Utilizing Shoemaker and Reese’s Hierarchical Model, this study analyzes the factors shaping and constraining WTNV’s development, and investigates the strategies WTNV deploys to meet its objectives amidst survival challenges. We carried out in-depth interviews with WTNV’s staff members and contributors, observed their online meetings, and conducted thematic analyses of 1,331 WTNV’s posts. We identify the influencing factors at five levels, specifically organizational level (WTNV), routines […]
  • by Vu Minh Ngo
    Global Media and China, Volume 9, Issue 1, Page 101-125, March 2024. The recent advent of ChatGPT has stirred substantial attention and debates, potentially altering the dynamics across various industries, notably marketing. This pioneering study delves into the public reactions and applications of ChatGPT within marketing realms. Leveraging a text-mining methodology, a corpus of over 600,000 tweets harvested before and after ChatGPT’s launch from January 2021 to April 2023 was scrutinized to gauge public sentiment towards AI-incorporated tools in marketing, and to unearth the predominant themes within public discourse. Initial findings unveiled a buoyant public sentiment towards AI-facilitated tools, which […]
  • by Zhen Ye
    Global Media and China, Ahead of Print. China’s showroom livestreaming is highly gender-segregated, in which young women working as showroom livestreamers are often stigmatized and criticized as hypersexual or vulgar. Situating female streamers’ practices in the sociocultural environment of contemporary China and comparing them to other wanghong creators such as fashion or beauty bloggers in China’s digital economy, we investigate how female streamers construct a particular type of gendered entrepreneurial subjectivity. In this research, we selected 90 short videos that are produced by three female streamers on the social media platform Douyin to examine their self-representations and discursive practices around […]
  • by Mirjam Gollmitzer
    Global Media and China, Ahead of Print. Since the COVID-19 pandemic, interest in care as a potential remedy for a variety of issues and crises, such as improving global health justice or creating more “caring” educational systems, has increased across academic disciplines. This article contributes to this literature from the perspective of journalism studies. It explores whether the notion of care captures and addresses one facet of the contemporary news industry crisis, namely the precarity of journalists. I focus on the work-life narratives of a small group of freelance journalists in Germany and Canada before and during the COVID-19 pandemic. […]
  • by Zhiqiang Zhao
    Global Media and China, Ahead of Print.